Occasional Ramblings with a Camera

This blog is my occasional ramblings on here, there and about, with and very occasionally without a camera. Photography, art, landscape (principally Scottish), heritage and wildlife are the things that interest me the most, so thats what I'll be writing about and of course showing pictures of. They say that a photograph is worth a thousand words, well I'm not so sure about that but if it is then great as it will save me a heap of typing, all power to the image.


Kinclaven Bluebell Wood panoramas

20-05-2018

I've uploaded a couple of new 360° zoomable panoramas of Kinclaven Bluebell Wood near Murthly in Perth and Kinross. The wood is undergoing a change no thanks to the Scottish Woodland Trust who seem incapable of leaving alone or making minimal organic changes but are managing to kill what lovely atmosphere the wood had. Re directed paths with old routes unsubtly blocked by tree trunks, incapsulated posters everywhere, a large carpark etc.
The links are HERE and HERE or click the image. Note; they can take a little time to render, especially in full screen mode.
A near complete list of zoomable Panoramas can be found HERE.

Anyway; on occasion you can still find a silence and sense the woods inner breath and beauty.

kinclaven bluebell wood © george Logan 2018

kinclaven bluebell wood © george Logan 2018

New Work - Folds & Porticos

16-05-2018

  

These are just two from an ongoing body of work under the banner of Folds & Porticos. Contrasting the Scottish subsistence farmers circa 1700 with the rich and colourful visions of those who embarked on the Grand Tour to Italy. The work is currently a wall piece but I'm considering it also in book form.

You can click HERE and HERE to download a more readable PDF file of the above.

Lone tree Lycondlitch

21-04-2018

Lone tree Lycondlitch © George Logan

Photographed at Lycondlitch to the North East of Blair Atholl, now in ruin the shepherds cottage and out buildings also has this amazing lone gnarled Wild Cherry tree.
This interpretation is close to how I envisage it, frankly its just so easy to make something moody when the weather is dull. I could see it being the cover of some mystery paperback, possible with the addition of a lone crow in the sky.

Conference in Perth

21-04-2018

I covered a conference in Perth Concert Hall this week. Always a little challenging, especially when you have speakers that are very animated and your working with a slow shutter speed to capture some of the ambient light in the venue. The mixed lighting also takes a bit to balance, especially to get good skin tones. Still, I got a reasonable selection of images that the client should be happy with. I was also shooting video that I'll add as an update (possibly) when done and if ever uploaded.

conference Perth © George Loganconference Perth © George Logan

My Old site - Out of site

11-04-2018

I was just checking a few things on the Isle of Rum website that I designed many years ago, that still looks ok and works fine. I discovered to my surprise that my old photography website in part is still up and running and it looks actually rather nice if I might say so myself. Ok, its not responsive though it should look ok on an ipad as it has quite a narrow width. Anyway there's a good selection of images from times not that long gone by, some rather nice images:) It can be found HERE. enjoy.

Note; there might be a few broken links that I'll get around to sorting possibly.

Folds unfolding

12-03-2018

fold Coire Shith © George LoganI've just updated my Folds gallery with some fresh images, that are more uniform in tonality which is probably what I will go with for final printed images. Ive many more that I could add.
This project which has taken me on an interesting journey, illuminating in many ways, also mystifying in that so much is unknown and that I still have much to discover and intriguing in their position within the social structures of their time in active use.  I'm fascinated by these so rudimentary structures, that took sweat and blood to construct, and also how they functioned, to which I have my own theories. I'm rather amazed and disappointed in almost equal measure on how they are largely dismissed and under studied. I've easily discovered many that have not been recorded in any way. Of course they are not uncommon but they are very much part of our heritage and emblematic of a way of life now gone but certainly not forgotten by me.

The Folds or rather Folds & Porticos has for me become a much larger and broader ongoing project, of which Beanie ~ Venice is also a part. I'm hoping to extend the project later this year, so further visits to shieling grounds and targeting lone folds. Watch this space as they say.

The new Folds Gallery can be found HERE or click on the image.

Orchards of the Carse of Gowrie

08-03-2018

from the series 'Orchards' © George Logan

I've updated the selection in the Orchards of the Carse of Gowrie gallery. There is now a more consistant tonality that I'm happy with and how I originally percieved the work. Slow progress is being made to edit down to what is a sizeable body of work. I'm also looking into finding a publisher that would be interested.

BookMarket at the Stills Gallery

20-02-2018

The weekend was spent showing our (with Chris Partridge) work at the BookMarket event in the Stills Gallery, Edinburgh. It was really interesting and worthwhile if somewhat tiring, complete collapse when finally home on Sunday evening.

There was some incredibly interesting and creative work being shown, with lots of ideas to follow through. The Fruitmarket was the main venue and they had more graphical form and text based work, as opposed to Stills photo image based. 

One of the books at the Fruitmarket Gallery that has stuck in my mind, with several just below the surface, was called 'Do Not Touch', a curious book of uninspiring grey images (pavement or concrete wall ??) repeated with the words 'Do Not Touch' across. I honestly couldn't figure what it was about, given the short time looking at it but somehow it has lodged itself in my mind, many other books of interest there also. At Stills, again some amazing work, lots of self published books. Two stands that I'll mention and link are; Gordian & Projects and Pupilsphere. Both young publishing enterprises that are forging a way forward, with photography and texts in a cost effective book form. Nicely printed, colour and monochrome, also very nicely presented. Could this be the route to see some excellent photography and creative ideas when its not being given the exposure in galleries, or for that matter in publications ? A quick mention also to Jessie Churchill, I purchased her Croi book, nice observational photography. 

Talking of publications, the 'Scottish Society for the History of Photography' had a table with their publication and despite the name contained much in the way of interesting contemporary photography, though rather tediously they tended to be the same old bloody names. A good worthwhile publication so don't wish to knock it too much but after Portfolio magazine of old with its clique of artists I hope Sshop doesn't go the same way.

I did sell a few books and it was good chatting to people, definitely worthwhile. However I came away with a few publications purchased myself :o

Two books

07-02-2018

Beanie © George Logan 2018Just two of the books I'll be showing at the Artists BookMarket in Edinburgh on the 17th & 18th of February. We will be at Stills Gallery on Coburn Street, just around the corner from the Fruitmarket Gallery, the other venue.

foresight © George Logan 2018

Stephen Shore

26-01-2018

I've just found this really interesting YouTube video of Stephen Shore talking about his work at the Museum of Modern Art (New York). Where he has a retrospective exhibition.
Shore very much speaks my language but in a rather more articulate way it has to be said:), especially here when discussing his particular way of looking at, and of seeing (for him) the Montana landscape. For me a Scottish moorland landscape. A landscape largely devoid of elements to help frame or formalise. Though in a way here he is talking about subtle pictorial perspective.
I love his phrase 'resonance of constant attention' and 'seeing with constant attention'.
My Folds images are possibly the closest I've come to this awareness, their subtlety requires for me and I hope the viewer a visual awareness and resonance.

There are several other videos relating to this exhibition that are also worth viewing.


Fruitmarket Gallery - Artists Book Market

23-01-2018

I'll be showing some of my 'artist books' with fellow artist Chris Partridge, who will also be showing her excellent and inventive books at the Fruitmarket Gallery, who are working in conjunction with Stills Gallery. Not sure which venue we will be at but going by previous years it will be really interesting regardless. (Update: We will be at Stills both days)
Here is their blurb:
'Sat 17 and Sun 18th. 2018, 11am–6pm
Artists’ BookMarket is The Fruitmarket Gallery in Edinburgh’s celebration of artists’ book culture. This year we are partnering with our neighbour Stills Centre for Photography, in an expansion of our annual event.
Each year, we attract more than two thousand collectors and enthusiasts to make this date with artists’ books and artist-led publishing. This year we will have over 50 stalls with work for sale. The accompanying events ensure continuous activity in the spaces and this year events and workshops will be programmed to encourage visitors to move between our two sites over a busy weekend.

This is a page spread from one of the books I'm currently working on; titled 'Orchards - acts of creation'.  Using texts from Boswell and Johnson it focusses on perceptions of culture in the 18th century. Complimented with a few of my Carse of Gowrie Orchards project images.

screengrab orchard book © George Logan

Kinclaven Bluebell Wood zoomable panorama - Four

23-01-2018

Another zoomable panorama HERE

This is the form I'll be using, having decided on settings I'm happy with. Showing a good proportion of ground and tree canopy.

kinclaven bluebell wood © George Logan 2018